Monday, 12 May 2014

a moment in time

Gargle, spit into the sink, hear a clink and look down from the grimy mirror looking me in the eye. I see someone in it, but I look only at the mirror then glance down to the bowl. A red stream, unusually thick runs down the curve. That’s ironic, if I hadn’t of lingered around for so long, neither would it. I looked across and saw a jagged pearl dully shining against the even duller sink. Sigh. I clasp it between my index finger and thumb and sit it beside the tube of paste and brush that caressed it only hours ago. Preparation is everything.
I look down at my body, draped with the remains of my grey-was-white shirt. Whilst scanning the reckless tears and blood patches my eyes pin to the spit stain which I couldn't abstain from receiving whilst on the floor, before he turned and walked away. I need to change.
Turning away from the mirror, whose stare I could face no longer, I walk towards our bedroom. With a slight tug and shake I remove the shirt and place it on your bed, next to your Fred Perry polo which was waiting for me to dress you in. The stabbing wails of close sirens puncture and slash at my ears. Spritely I duck down and snap at your polo with my hand, vigorously pulling it over my head, trying to breathe calmly.

The sirens fade towards the city centre. Taking a deep breath to settle myself I get to my feet and turn towards the main living room, holding my old t-shirt to throw away. You’re there sitting in your green arm chair, shaking. Your arms resting either side of you are shaking, noticeable tremors shaking you violently. You look peaceful, well, and as peaceful as you could possibly be. Your feet are raised, all comfy like, but you’re not held up by a poof. I measure my controlled movements trying ever so carefully not to wake you, leave you to rest whilst you can, you’re drained, and it’d only hurt us both if you awoke. I notice a few of the bright white boxes of your Clonazepam piled up on the table. I cradle them in my arms and let them drop into the bin below. They’ve done nothing but make you depressed, they’re shit. I sink into the corner of the room and sit down amongst the boxes. They’re starting to collect dust since I placed them there months before, when I moved in. I lift the lid from one, look inside and take out a book. It’s not that thick but it carries weight, I open the cover and turn a couple of pages. As I glance by, each one feels heavier, and although my eyes just feel numb like the rest of my face, they too feel like they are sinking, being dragged from my control. You’ve lost control of your body, isn’t it ironic that I’m losing control of mine?
I see your smile, a sepia Polaroid through the embossed page in which you’re sank into. In it our arms are wrapped around each other’s torsos. It was the beach at Blue Anchor, whilst on holiday at Watchet. “No you Watch-it” – the thought of the joke cracks more than a smile. Warm trickles descend from my eye and by the side of my eye, meeting like tributaries, anchoring trenches into my cheek. I wouldn’t say I’m impressionable, but I guess, that’s what the problem was.
I turn the page to see another pair of smiles. We were both covered in mud, holding spades in our old garden. It was a big hole we dug that day but I guess now I’m digging them alone, and yet it’ll be both of us lying in them. You see that’s the thing, no matter how hard you run, or hide, someone has got you. someone requires you, and you require them.  This past year since you’ve deteriorated and chosen to reside in here I’ve came to terms with the fact you are born alone, and you die alone. It’s ironic since we are twins, but like a self-fulfilling prophecy it’ll end up that way. It breaks my heart and I cannot live without you. I’ve stood up and stood face to face with Smethwick’s biggest and hardest blokes, but without you I’m just sat here amongst these boxes, failing to contain my poleaxed heart that is cracking with every thought, every memory.
I knew you could only trust yourself. I forgot that earlier. I’d do anything for you, but obviously just wanting it bad enough is not enough. And when you do all in your power and are mugged off by your brother’s best mate, to help his best mate, it just hurts. “No way, I don’t care if it’s for Mike, you still owe me for the past 5 bags...I’m no charity.” He made me snap.
I’ve never dwelt on the past. There is no point, just plan for the future, just like moving in here, getting away. Even if the plan has a few deviations; a few eradications of the devious, don’t let anything stop you. But how, after a day so thought after, a day with little thought, can I think of a future when the future is now very uncertain? How will you get your weed now? How will you lock out the pain and escape when we can’t even afford an eighth never mind plane tickets to Switzerland. I don’t see an end.
“What are you doing wearing my Fred Perry?” I look over to the chair immediately, I stutter over my words “I, I was going to ask you but you were asleep, can I borrow it?” I’m almost astonished; recently it’s you that has had difficulty with your words, not me. “Ha, I know I got the style but why do you want to borrow it?” he retorts with a shaky smile, “got a date?” my face swells and cracks at his warmth, I turn away so he can’t see my stinging cuts and gashes, although his vision is blurred I’m taking no chances, he noticed the polo. “Yes, yes, Matter of fact I do, you don’t mind me going out for a few hours do you?” I blag. Amongst the waves of trembling he chuckles to himself, “not at all, just can you change my sodding commode?”
I get to my feet and pick up the shirt I left by my side and walk towards the kitchen. I hear a stern wrap of knocking on the door. I immediately look down at the shirt in my hand, and then sharply look at the commode next to Mike. I forcefully lift the lid and stuff the shirt into it. “What are you d-“I cut him off with“shhhh.”The same stern knock repeats. I turn to walk towards the door. “What’s with your face bro?” Mikey calls. I ignore him and unlock the door. Two large men stand in front of me, fluorescent vests, showing badges. “Mr Daniels, we need you to come with us, we have some questions about the ware bouts of Luke Jacobs.”

I turn to Mike and am met by his solemn face, I look into his eyes, and he doesn’t say a word. “I’ll be back soon” I assure him.

Friday, 9 May 2014

The Bus Journey

Dan: Dear me Jerome, i haven't seen you in months and now twice in a week, how are you doing? fancy seeing you here!

Jerome: Not too bad, still, did you enjoy the party?

D: Oh mate, I got so wavey, i don't know how i got home. did your house get trashed? looked okay while i was there, still.

J: Its not to bad fam, glad you liked it, it got rowdy still, some guys came in, got well rowdy man, all kicked off, bare savage look in their eyes still.

D: Shiiii, what happened? i wish i was there, there for you still, had your back like.

J: Tahh man, nahh it was like they wanted to kill me, ennit, but we saw 'em off like, they weren't packing a shank or a strap ennit.

D: Damnn, what would you have done still, had they been gunning for you?

J: Just gotta stand your ground ennit? if i die i die, weak pussyholes on a minor ting still, can't tae the grind, i'd have shanked em.

D: Trus' me fam, you'd have done 'em, but manz on the road are snake ennit? just gotta watch your back.

J: Trus' me fam! doe wanna die, lot to live for, i'm on a big ting right now!

D: Nah man, really? anything you wouldn't want to leave behind?

J: Mayte this gyal ennit, nout major, but she is well nice, its a peng ting

D: nahh man fair play still, gonna settle down man?

J: maybe man, funnily enough she might be up the duff ennit

D: Shiiii, you work fast, is it exclusive?

J: Yeah man, she is well into me, she don't want nobody else, she don't need nobody else.

D: Yehh man, who is she?

J: Names Becky mann, well nice, blue eyes, big tits.

D: Sounds well nice man, keep your eye on this one, aha, bet every dog be barking up her tree.

J: Shiiii, trust me, aha, got her on lock.
    Damn its my time, peace and love fam.
[Jerome stands up to get off the bus and walks towards the exit]

It's not you it's me.

Everyone knew that it was unstable, apart from Alice. Perhaps it was because she couldn't understand the tone, or even didn't particularly want to read between the lines, but normally she was red-hot when it comes to an accusation. Ripped by the fear of the tear. "So you don't want to see me then?"

Perhaps Richard's address was off, or his meaning was lost in the delivery, but what was certain, is the fact that she just didn't get it. i mean Rich has his way of putting his selfish stamp on things, but really what was clear is the fact he didn't want to be there in person.

Alice clung to it as if it was all she had, she felt so alone yet didn't see the elation in his communication after hardly being in touch all weekend. He was away. She sat on the sofa, black leather unforgiving, waiting for his touch, she sighed.

She walked to the kitchen, she opened the drawer and ran her hand from left to right of the cutlery tray, bypassing the rolling pin she uses to bake the cakes for the teatime Tuesday gathering of the whole group of friends, who instead were with their partners. She grasps the plastic handle and draws it from its sheath at the furthest side of the drawer. She saw his charming face in the long thin blade, that distorted his imaginary content smile to a loving imaginary grin. she frantically thrust the blade and tore and dashed so violently delicate, and forced her hand inside and grasped. with an agonizing pant and adrenaline she unfolded the creases and began to read.

Short Story Research

For my Short Story final piece a theme i wrote about was the condition Multiple Sclerosis and the effect it has. Knowing little about it, I researched the condition in terms of treatments and symptoms to include in my story as well as gain background knowledge of the condition.

MS Society -
To research the condition in general as well as more particularly the symptoms of the condition i used the website for the MS society. I researched the symptoms of Tremors, sight problems, cognitive degeneration and fatigue. In my piece I focused on the tremors because they are uncomfortable to see, and also made reference to these other symptoms.

MS Trust -
To further my research and obtain a reference of an actual MS drug, i went to the MS trust website. I found out that 'Clonazepam' is used to treat tremors. I decided to use this one because the side effects suggest fatigue and depression, two other aspects of the disease i mention in my story.

NHS Support -
When developing my idea of the story, whilst doing research I found that for some MS sufferers they have permanent mobility constraints due to the condition. Through researching the support sufferers can get from the NHS i found that commodes were issued. This aspect because of this research became key to the plot of my story.

Boston Globe -
The main focus of my short story is obtaining the weed (marijuana) to relieve the symptoms of MS. upon doing research into this treatment i found that in Boston, America it is used by people with MS. Although there are mixed opinions on whether it works or not, Dr. Barbara Koppel suggests that cannabinoids found in cannabis can treat MS symptoms with less side effects than other drugs. Because of this I chose to include the weed (cannabis) in the story as compared to the prescribed Clonazepam it may be more beneficial because of the less side effects.


The form of the story:
The Piece I wrote took main inspiration from a grime/rap song called "Wild Boyz" by rapper Mic Righteous about two brothers, one who passed away. the prose format of my story reflects this.
 The genre of the piece could be classed as Modernism/Post Modernism writing, as Malcolm Bradbury suggests that this style of writing is a response to "the scenario of our chaos" (Bradbury 1991: p.27).
The main character is an example of this theory as he is an example of the "destruction of traditional notions of the wholeness of individual character" (Bradbury 1991: p.27).

Bradbury, M. & McFarlane, J. (1991). The Name and Nature of Modernism. In: Bradbury, M. & McFarlane J. Modernism - A Guide to European Literature 1890-1930. 2nd ed. London: Penguin Books Ltd. 19-56.

Thursday, 13 March 2014

never give in [writing task sixteen] (Villanelle)

When life strikes you take it on the chin
absorb it all and you'll be fine
remember: never give up, never give in.

And when your patience is wearing thing
with calmness you must align,
when life strikes you take it on the chin.

And when their words penetrate your skin,
where all your pride is on the line
Remember: never give up, never give in.

When you find that your head is in a spin
start thinking straight, just like your spine,
when life strikes you take it on the chin.

Start to think: losing control is a sin,
it is us our actions do define,
Remember: never give up, never give in.

In the end you will be first to grin,
your character will forever shine.
When life strikes you take it on the chin,
Remember: never give up, never give in.

you [writing task fifteen] (ballad)

I wait for my screen to light up
and then i see your name,
I read your message with a smile
I hope you feel the same.

I had to make sure I was sure
That how i felt was true,
But you just bring me so much joy,
I grin because of you.

We joke and say some stupid things,
'broken' you label me,
but my judgement is clear as day,
you're silly, you don't see.

You make me laugh and I want to try
and make you do the same,
I just hope my stupid attempts
don't make you think i'm lame.

I wouldn't say I need someone
to base my life around,
but for you and your companionship
i'm mighty glad I've found.

Go back to you're own country [writing task thirteen]

I believe it's hardly fair to blame
if they come for a better life,
upsticks and leave their family
to remedy their unemployed strife.

I too would leave a system
where there is no welfare state
and i'd work for pittance a day
to keep food on my plate.

I wouldn't want my children
to grow up and go without,
but we are far more concerned
by the nation's money going out

of a country so patriotic that
they don't celebrate their own saints day
and then complain when any other
nationalities get their own say.

"Go back to your own country"
a vocal tirade of abuse,
and use the fact it's where they were born
as a grounds and justifying excuse.

So when you blame them for taking
all 'our' work and jobs,
instead see them as actually trying
to be less like you benefit slobs.